Manhattan Beach
by Jennifer Eagan

 

West Maui Book Club "Manhattan Beach" Discussion Questions

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Any page or location numbers refer to the Kindle iPad edition.

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1. In chapter 1, pg 5, Anna pines for Tabby’s “Flossie Flirt” doll but later refuses it when it’s offered to her. First, did you ever have such a hankering for a doll as a young girl? Which one? Second, what does it say about Anna’s character at such an age?

2. Anna’s father weighed heavily on her mind not only while he was present but also after he’d left. They had been pals and confidantes early on but it later changed. Also he had filled her with many words to live by, including “Never part with a fact unless you’ve no choice.” So how did this play out during her life? Discuss his return and her reaction to him.

3. Discuss the irony in the following sayings: (1) Men ran the world, and they wanted to f…. the women. Men said “Girls are weak” when in fact girls made them weak – ch 17, pg 235. (2) Nobody chained an unconscious an with the care they would use on a man who was fully awake - ch 25, pg 359.

4. What did you think of Anna becoming a diver? Do you think she handled herself well against the discrimination? What about when Dexter had her dive for her father’s body? How did that sit with you? And what about Dexter diving with her after only some brief instruction and yet, he did pretty well? What’s that say about men or Dexter in particular?

5. Childless, “floozy” Brianna becomes Anna’s mentor during and after Anna gives birth, instead of it being her own mother who has gone off on the war effort to become a nurse in Europe. Would you have expected this?

6. Discuss Eddie’s at sea experiences. How did it change him?


From the Publisher Simon & Schuster
Page numbers here, we believe refer to the hard cover.
Topics & Questions for Discussion

1. In the first chapter, on the beach, Anna walks barefoot despite the cold and says, “It only hurts at first. After a while you can’t feel anything.” Dexter admires Anna for her strength, which he senses comes from her father. He reflects that “men’s children gave them away” (pages 8–9). How does this meeting between Dexter, Ed, and Anna set the tone for the rest of the novel?

2. Why is the thought of what Lydia “might have looked like, had she not been damaged. A beauty. Possibly more than Agnes,” (page 16) so painful to Ed? Why is he unable even to cope with Lydia, much less love her, as Anna and Agnes do?

3. “Each time Anna moved from her father’s world to her mother and Lydia’s, she felt as if she’d shaken free of one life for a deeper one. And when she returned to her father, holding his hand as they ventured out into the city, it was her mother and Lydia she shook off, often forgetting them completely. Back and forth she went, deeper—deeper still—until it seemed there was no place further down she could go. But somehow there always was. She had never reached the bottom” (page 26). What does this passage reveal about Anna? What allows, even compels, her to shift between worlds?

4. Ed, looking back on his decision to work with Dexter, reflects that he needed a change, that “[h]e’d take danger over sorrow any day of the week” (page 34). Is Ed right to do this? Is Ed’s philosophy a noble or a selfish one?

5. What draws Anna to Nell? And Nell to Anna? How are they each not “angels” and how does this bond them?

6. Even at a young age, Dexter wants to know what’s beneath the surface of things. “For him, the existence of an obscure truth recessed behind an obvious one, and emanating through it allegorically, was mesmerizing” (page 91). How does this fascination shape Dexter’s life and his career?

7. How does Anna’s sexual relationship with Leon, during which she thinks things like “I might not be here” and “This might not be me” (page 120), relate to her feeling abandoned by her father? Why does she later invoke her father as “an abstract witness to her virtue” (page 122)?

8. Why does Anna set herself such a difficult task—becoming a diver, “breaking” the lieutenant, facing opposition at every turn? Why does she feel “that she had always wanted [an enemy]” (page 149)?

9. Why does Lydia’s death solidify Agnes’s determination to be done with her husband, after so many years, whether he returns or not (page 179)?

10. Leaving Charlie Voss at the club to spend the night with Dexter, Anna releases herself to the dark: “she had . . . disappeared through a crack in the night. Not a soul knew where to find her” (page 234). What do you make of her need to be lost, to be a part of the dark and its danger?

11. Ed is simultaneously drawn to and infuriated by the bosun. Discuss why there is a push and pull between these two characters.

12. Why does Dexter insist on diving with Anna to try to find her father’s corpse? What does this effort represent for him? What do you think he comes to understand?

13. Visions of Lydia push Anna to not go through with her abortion. Discuss the connection between Lydia and Anna’s unborn child.

14. When Anna takes the train west, there’s a moment when she “bolted upright. She had thought of her father. At last, she understood: This is how he did it” (page 426). What allows her to understand and perhaps reconcile with her father?

15. Luck plays an important role throughout the novel and has particular significance for Anna, Dexter, and Ed. How does luck shape each of their lives? Good luck and bad luck?

16. Throughout the novel, characters create new identities for themselves and start over. How do these individual stories of reinvention relate to the spirit of optimism, the quest for the new that is so common among Americans at this time?


West Maui Book Club discussion questions compiled by:
Elaine Gallant
West Maui Book Club
Feb, 2017